Dispatches from wherever the camera was last pointed. Less content calendar, more field notes.
A portrait session shot on the R1 and the C400 at the same time — and what happens when you stop treating stills and motion as two separate jobs.
A V8 Supercar hype cut, and the problem of building something that has to land in two seconds then survive three different aspect ratios.
Three films for the Brett Lee Collection at Mitchell Ogilvie — an intro, a craft piece, and a story about staying ahead of the curve.
A promo about a blazer, which turned out to be a promo about the Sydney Cricket Ground.
An event promo for the Beast Cycling Series, and why endurance sport is the easiest thing in the world to shoot honestly.
Two segments out of the MTV Sports archive, and what that school taught me about shooting live.
One body, one lens, four hours in the dark. What live music teaches you about trusting the camera.
Shooting a headline set from the pit — reading the light, riding the moment, no second takes.
Not a review. Notes from actual work — where it surprised me, and where old habits won anyway.