THERE'S A DIFFERENCE
BETWEEN FILMING SOMETHING
AND SEEING IT.
I point cameras at artists, athletes, activists and adventurers — people who go all in. Documentary, reportage and live work. Real stories, told well.
No second takes. No safety net. Thirty years behind cameras — from MTV in New York to the pit at Vivid Sydney. I work in the gap where instinct, timing and craft come together.
RECENT FILMS.
SONY PORTFOLIO SHOOT
ONDECK — V8 SUPERCAR HYPE
FROM THE FIELD.
Two Cameras, One Face
A portrait session shot on the R1 and the C400 at the same time — and what happens when you stop treating stills and motion as two separate jobs.
Making Noise Look Like Noise
A V8 Supercar hype cut, and the problem of building something that has to land in two seconds then survive three different aspect ratios.
A Fast Bowler and a Tailor
Three films for the Brett Lee Collection at Mitchell Ogilvie — an intro, a craft piece, and a story about staying ahead of the curve.
GOT A STORY
WORTH TELLING?
A line or two about the project is plenty. I read everything that comes through, and I'll come back with questions.